Wednesday, August 8, 2012

The Great Gatsby Pgs. 156-167


Well, it’s just like I expected: we have another House of Mirth on our hands here! Once again, leave it to mankind to prove how horrendously wicked and evil it can be and how its tendency to make false judgments of other people can lead to utter destruction. The similarities between F. Scott Fitzgerald’s The Great Gatsby and Edith Wharton’s The House of Mirth are incredible: the main character pursues love and success, drives himself or herself into trouble due to his or her own character flaws, becomes the victim of atrocious rumors or misunderstandings due to another character’s wickedness, and ultimately dies unsuccessful and essentially alone. If these are the only kinds of novels we’re going to read all year long, I’m a little depressed! (Just kidding, I have actually enjoyed both books- but can these characters do us all a favor and try a little harder for a happy ending?) The fact that Gatsby is murdered in his own backyard and not a single person seems to care besides Nick saddens me so much, and the fact that Daisy does not even know of his death yet because she skipped off to who-knows-where with Tom without so much as a phone call to Gatsby infuriates me so much that I can hardly write about it. Some people’s actions aggravated me to such an extreme, such as when Mr. Wolfsheim wrote Nick saying, “I cannot come down now as I am tied up in some very important business and cannot get mixed up in this thing now” (Fitzgerald, 166), that I practically want to give up on every single character in this book except for Nick Carraway.

As I read of the tragic and shocking events which rapidly unfolded in this brief section of F. Scott Fitzgerald’s The Great Gatsby, I was able to draw some extremely strong parallels between this piece of the novel and the season 6 finale of one of my favorite TV shows, Grey’s Anatomy, which allowed me to observe some timeless tendencies of human nature. In the particular season finale of Grey’s Anatomy which I am speaking of, a man named Gary Clark brings his severely ill wife into the hospital for a required surgery. Unfortunately, as the doctors suspected, the surgery was unable to save Mr. Clark’s wife, and the effects of her surgery left her completely and irreparably brain dead. Despite the doctors’ many attempts to compassionately explain to Mr. Clark that his wife needed to be taken off the machines keeping her breathing, for otherwise she would spend the rest of her life in a vegetative state, Mr. Clark’s overwhelming grief prevented him from comprehending the fact that his wife was already essentially dead. Although the hospital was eventually required by law to turn off her machines, Gary Clark believed in his grief-stricken mind that Derek Shepherd, the chief of surgery, was solely responsible for his wife’s death. Consequently, he returned to the hospital with a shotgun about a week after his wife’s machines were turned off and commenced to shoot at random in his hunt for Doctor Shepherd. After Mr. Clark shot Shepherd, he turned the instrument by which he killed a number of innocent people on himself and took his own life. This storyline is startlingly similar to the tragic events which unfurl in this section of Great Gatsby, as Mr. Wilson’s immense sadness and loneliness blurs his thoughts so profoundly that, in his delusional mind, he decides without a shadow of a doubt that Gatsby had an affair with Myrtle and intentionally murdered her. Before anyone was able to convince Mr. Wilson otherwise, Mr. Wilson hunted Gatsby down and shot him, immediately afterward taking his own life as well. As I read of Gatsby’s murder and Mr. Wilson’s suicide, I could not help but think of the horrific scenes I watched in the season finale of Grey’s Anatomy, and a timeless truth about human nature dawned on me: grief is one of the most painful and powerful emotions that a human is capable of experiencing. Although these two plotlines took place in very different time periods and under relatively contrasting circumstances, the tendency of mankind to be driven insane by grief is evident; regardless of the time, place, or people involved, grief has always remained one of the most notorious and wicked forces driving the deranged actions of distraught and desperately miserable individuals. Unfortunately, in both cases, this atrocious grief led to the imperilment of two men who were essentially innocent (well, Gatsby did kill Myrtle, but he never had an affair with her or murdered her intentionally). As a result, one of the most powerful lessons that I will draw from The Great Gatsby is the wretched effects that desperation, loneliness, and grief can inflict on a person, and I believe that this was one of the major themes which Fitzgerald hoped to convey.
This was the best clip I was able to find from the season 6 finale of Grey's Anatomy

               

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