“Death, be not proud” is truly
intriguing due to the fact that its author, John Donne, proposes a view of
death that does not typically seem to be taken in most poems. Generally, a
majority of the poems that I have ever read concerning death regard death as
though it were a powerful and almighty entity. Death in and of itself was so
powerful that no man was capable of escaping it, regardless of race, social
status, religion, etc. Because death is an inescapable experience which all
humans must face, death is typically viewed and described in poems to be a very
formidable and powerful reality. However, through the use of critical diction
and apostrophe, Donne greatly demeans death, detracting from its glorified
image as an unavoidable and fearsome experience. For starters, employing
apostrophe and addressing death directly greatly takes away from the perceived
greatness of death. Rather than regarding death as something so powerful (if
not sacred) that it cannot be addressed, Donne confronts death with a direct
attack that death has little superiority for which to be boastful. Furthermore,
Donne’s utilization of critical diction provides further support for his belief
that death has little to take pride in. For example, Donne refers to death as “poor”
death, indicated that it is something to be pitied rather than feared.
Furthermore, Donne remarks that, “Thou are slave to fate, chance, kings, and
desperate men” (Donne, 971). Death is typically described in poems as a very
potent entity which no man can escape, which promotes anxiety in the reader
regarding death; however, by personifying death as a slave in this piece of the
passage, Donne portrays death to be an entity of limited power or influence.
Because slaves were seen as inferior to their owners, the fact that death would
be a slave to even the most desperate of mean greatly detracts from its
influence over mankind. Donne demeans death most effectively when, in the last
line of the poem, he asserts, “Death, thou shalt die” (Donne, 972). The idea
that death itself could actually be overcome and “die” is a mind-boggling
concept which very few people have presumably considered before. However, the
fact that death could actually be vanquished by dying is very significant to
detracting from the perception that death is formidable. Because death is portrayed
as being so weak that it could be diminished by the very thing that made it powerful,
Donne effectively proves in “Death, be not proud” that death does not in fact
have any logical reasons to be feared.
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