As explained in Question 4, the last stanza of Emily
Dickinson’s “I Taste a Liquor Never Brewed” does in fact paint the image of a
stereotypical street scene in which neighbors or townspeople flock to windows
to observe the comical behavior of a drunkard. Stereotypical drunkards in this
situation would be likely to lean against a sturdy structure such as a lamppost
or even the side of a building. However, because Dickinson’s poem presents an
extended metaphor and is not literally depicting an individual who is drunk due
to excessive consumption of alcohol, the drunkard in this poem does not lean on
any stereotypical structure on the streets. Rather, the speaker in the poem is “drunk”
as a result of feverishly drinking in the beauty of nature. Consequently, the
speaker is described as leaning against the sun rather than a lamppost or
building. However, the component of this final stanza of the poem which is
bound to capture the attention of the reader the most is the description of the
seraphs and saints. Dickinson describes these entities in the following manner:
“Till seraphs swing their snowy Hats—and Saints—to the windows run—to see the
little Tippler leaning against the—Sun—“ (Dickinson, 797). While one may expect
neighbors and onlookers in a stereotypical situation in which a drunkard is on
the streets to fly to the windows of their homes to take entertainment and
delight in the drunk individual’s actions, one would not expect such holy
beings as angels and saints to desire to rush to observe such shameful events.
However, because the speaker in the poem is “drunk” on the beauty of nature
rather than the excessive consumption of alcohol, the seraphs and saints would
in fact take pleasure in observing such actions. After all, loving and admiring
the magnificence of God’s creation is a pleasing act in stark contrast to the
shame or immorality of drinking too much alcohol. Therefore, Dickinson’s use of
imagery in including this image of holy beings such as seraphs and saints taking
delight in the speaker’s “drunkenness” serves to emphasize the goodness of the speaker’s
actions and enhance the contrast between the speaker’s form of intoxication with
the stereotypical drunkenness of all others on normal liquor. This also
ultimately reinforces the meaning of the title “I Taste a Liquor Never Brewed”
in indicating that the speaker is unique in her sheer delight and inebriation
caused purely by the natural elegance of the earth.
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