Figurative language is present in abundance throughout the
poem “To His Coy Mistress” by Andrew Marvell and plays a significant role in illustrating
the central themes of experiencing and enjoying love in the fleeting instance
that life on earth lasts. For example, Marvell articulates the idea that life
on earth is not indefinite by using a metaphor in the following passage: “But
at my back I always hear time’s winged chariot hurrying near” (Marvell, 804).
By comparing time to a winged chariot in this manner, the author conveys the idea
that time passes rapidly and that the remainder of their lives on earth shrinks
with each passing day. Furthermore, by describing time as a winged chariot
approaching him from behind, he alludes to the fact that death is constantly in
pursuit of man, consistently drawing closer and closer to him, yet behind his
back, where he cannot see for sure when it will catch he. Therefore, in using this
metaphor of a winged chariot to express the fleeting nature of time, Marvell
reinforces the speaker’s sense of urgency to convince his coy mistress to cast
aside her shy nature and embrace their love before they become prisoners to the
effects of time and lose their lives.
Marvell
also employs figurative language in the poem by incorporating similes into his
descriptions of the mistress and his love for her. For example, he describes
the youthful hue of his young mistress as resting on her cheeks in the manner
that morning dew rests gently upon the earth. In comparing the skin of his lady
to something so gentle and beautiful in nature, he highlights the fact that his
mistress is delicate and likely to be shy rather than the type of woman who
would embrace every aspect of life, such as love. Furthermore, the speaker
describes his own soul as firing at every pore, and this figurative comparison
advances the meaning of his work by articulating his own desire for his
mistress. The fact that he describes every pore of his being as being afire
serves as a strong indication that the speaker has no intentions of wasting any
more time than he absolutely has to; rather, he would prefer to embrace life
while he still possesses his youth rather than waiting for their encasement in
marble graves to love one another.
Finally,
Marvell concludes the poem with the statement, “Thus, though we cannot make our
sun stand still, yet we will make him run” (Marvell, 804). I believe the sun to
be symbolic of the couple’s time together and their lives at large. The speaker
is intending to express the idea that they cannot prevent the time of their
youth from fading away just as they cannot prevent the sun from rising and
falling each day; however, they certainly can embrace every instant of their
time together. All of these examples of figurative language therefore emphasize
the speaker’s key purpose of convincing his mistress to forsake her coyness to
as to enter into a loving relationship with him before the winged chariot of
time takes either of them prisoner.
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